Shadows projects bodies and reproductions outside their conventional boundaries. These propose effects of distension into space and, in the same vein as a twelfth open cage on display midway through the journey, scupper any attempts at confinement, irrefutably undermining the efficacy of the trap.

As an ensemble of images, sounds, movement, projections, structure and montage the installation also represents a metaphor of cinematographic art -a transposition that is bound more closely to The Birds through the presence of the birds and the Schjerfbeck selfportraits.