Video loop, 28 mn.
By playing with different fragments of The Crucifixion of Saint Peter by Caravaggio from the Cerasi chapel of the Santa Maria del Popolo church, Portrait of Paolo – Crucifixion works towards a constant revision of the structures of the Pasolinian plans with which they are associated to better highlight the complexity of their composition and the singularity of the reversal dynamics on which they are developed.
